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Andrea del Castagno Death of the Virgin oil painting reproduction


Andrea del Castagno
Tod von der Jungfrau
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  4747
 1442-43 Zeichnungen Basilika di SanktMarco, Venedig
1442-43 Drawing Basilica di San Marco, Venice

 
 
   
      


Mulready, William Death of the Virgin oil painting reproduction


Mulready, William
Tod von der Jungfrau
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  19583
 1437 Gemischten Verfahren aufHolzedelsteinauml; ldegalerie Staatliche Hat, Berlin Nachgesonnen.
1437 Mixed technique on wood Gemäldegalerie Staatliche Museen, Berlin.

 
 
   
      


unknow artist Death of the Virgin oil painting reproduction


unknow artist
Tod von der Jungfrau
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  30376
 streichend mk68 Wand Gracanica Gracanica Gemeinde Kirche. an
mk68 Wall painting Gracanica Gracanica Parish Church

 
 
   
      


unknow artist Death of the Virgin oil painting reproduction


unknow artist
Tod von der Jungfrau
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  30953
 mk68
mk68

 
 
   
      


REMBRANDT Harmenszoon van Rijn Death of the Virgin oil painting reproduction


REMBRANDT Harmenszoon van Rijn
Tod von der Jungfrau
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  34406
 mk93 1605-06 der Öl ist auf Unterausschuss145 1/4x96 1/2in Louvre Paris
mk93 1605-06 Oil on panel 145 1/4x96 1/2in Louvre Paris

 
 
   
      


Andrea Mantegna Death of the Virgin oil painting reproduction


Andrea Mantegna
Tod von der Jungfrau
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  40204
 mk156 C. 1461Öl auf täfelt 54x42cm
mk156 c.1461 Oil on panel 54x42cm

 
 
   
      


HOLBEIN, Hans the Elder Death of the Virgin oil painting reproduction


HOLBEIN, Hans the Elder
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  63554
 1490 Tempera on oak panel, 150 x 228,5 cm Museum of Fine Arts, Budapest Signed on the censer: HANS. HOLPAIN. At the turn of the sixteenth century Hans Holbein the Elder, famous painter of altarpieces and portraits, was the leading painter of the rich merchant city of Augsburg. The painting in Budapest is one of his finest works and, indeed, one of the most significant works of German painting at that time. The inscription tells us that it was commissioned by Wolfgang Preu, Canon of Rottenbuch between 1490 and 1500 and that it originally decorated the tomb of the Preu family in the Church of St James at Straubing. The death of the Virgin is placed in a contemporary domestic setting. Mary, represented as a middle-class woman of Augsburg and wearing the clothes of the period, is seen lying on her canopied bed with the Apostles grouped about her like her family - one of them, wearing spectacles, is reading from the Bible. The artist follows the medieval tradition of simultaneous narration by depicting the sequel in the same picture: at the top we see the Virgin's soul, in the form of an innocent young girl in white, ascending to heaven to be received by God the Father. The Virgin Mary is seen surrounded by the apostles assembled, according to the Legenda Aurea, by divine miracle from various remote parts of the world for this solemn occasion. Though they cannot have met for a long time, they do not speak to one another; uncontestably the Virgin remains the centre of the scene. Every activity, every gesture of pain is directed towards her. She is seated in their midst, fragile and graceful, with a dreamy face - of all the faces in the picture hers shows the finest painting - and a halo around her head representing the supernatural element which is, however, hidden by a bonnet, a concession to wordly fashion. The picture is, indeed, marked by a mixture of accentuated verisimilar and supernatural elements. The young apostle-sitting before the bed, absorbed in reading and taking no part in the social gathering - who wears a kind of pince-nez in accordance with the customs of those days, is a veritable genre figure. The books lying on the bed, the censers and aspersorium painted with equally meticulous precision became ubiquitous pieces of the still-lifes of subsequent ages. In this painting Holbein, with exquisite taste and force, blends the traditional, late Gothic approach with a new style of representing nature and reality adopted from Netherlandish painting

 
 
   
      


unknow artist Death of the Virgin oil painting reproduction


unknow artist
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  64136
 1515-25 Oil on wood, 100,4 x 51,7 cm Museum Mayer van den Bergh, Antwerp This unusual Mannerist painting is a masterpiece of Antwerp Mannerism. The artist is referred to as the Master of Amiens. , Artist: UNKNOWN MASTER, Flemish , Death of the Virgin , 1501-1550 , Flemish , painting , religious

 
 
   
      


Andrea Mantegna Death of the Virgin oil painting reproduction


Andrea Mantegna
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  84678
 Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr

 
 
   
      


Andrea Mantegna Death of the Virgin oil painting reproduction


Andrea Mantegna
Death of the Virgin
Gemälde IDENTIFIZIERUNG::  88578
 between 1460(1460) and 1464(1464) Medium Oil on wood cyf

 
 
   
      
Andrea Mantegna
Italian 1431-1506 Andrea Mantegna Locations
Death of the Virgin
between 1460(1460) and 1464(1464) Medium Oil on wood cyf

Related Paintings to Andrea Mantegna :.
| The Threatened Swan | the artist's wife and sister | Portrait of Brother Gregorio da Vicenza | The Girlhood of Mary Virgin | Cimon and Pero |

        
 
   
 

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